True most of it was better than what you can buy now. For sale is this vintage 1972 Fender Bandmaster Reverb 2 x 12' electric guitar speaker cabinet. Remember Leo used the cheapest wood he could buy at the time. The C12n sounds very punchy, wide and deep in a 2×12 cabinet. Personally we favor the Jensen C12n for their natural and transparent Fendery tone and, most importantly, for not being to bright and harsh. Not sure you can hear the sonic difference between 5,7,9, 13 ply plywood. Speakers The Bandmaster’s 2×12 speaker cabinet was from the Fender factory loaded with either Jensen C12n or Oxford 12T6. While your at it locate holes for the tilt back legs, in case you decide to add them. I noticed some t-nuts on the side of the cabinet, can see not reason for those. Champ : Vibrolux : Deluxe : Super 2 X 10 : Pro 1 X 15 : Bandmaster 3 X 10 Bassman 4 X 10. faceplate and it has been installed into a custombuilt 2x10 ' cabinet. Fender tweed style cabinets Covered in tweed with brown with yellow stripe grill cloth. I have a question concerning a Fender Bandmaster amp that I recently purchased. Fender 0994093000 Mid 60s Amplifier Logo - Black. Usually painted black, both sidesĪll 2-10, 2-12, 2-15 cabinets had a center divider board. Fender Super-sonic 60 2x12 Extension Cabinet - Blonde. It would also have finishing washers under the baffle mounting wood screws. The baffle is definitely homemade, it would have had 8 studs for each speaker with kep nuts. The pictures of your grill cloth show that the grill cloth was from 68 or later. This is a quality heavy duty vinyl protective cover for a Fender Bandmaster 2x12 Speaker Cabinet (1962) - 32 W X 20 H X 11 1/2 D. The triangle corner piece for mounting the logo in the corner. The center strip would be lined with a strip of felt. The baffle would have had 1/4" 1" wide strips attached to the edges & down the center. Your cabinet is supposed to be 32" wide x 20" tall & 11 1/2 deep.Ī black tolexed 2-12 cabinet would have come from fender with 1/2" particle board back & front baffle. strange doings, but I'm glad to have it. SUMMARY: in my view, somebody removed the original grill, grill frame, baffle and divider.then created a new baffle and stuck what appears to be maybe cloth from a Silverfaced (oversized) cabinet on it and replaced the logo. BUT: it does resemble some kind of Fender cloth. Its premium birch-ply construction and Celestion G12P-80 speakers deliver fat, woody bass response and clear highs. It's oversized and there's shabby holes along the inside that Fender wouldn't have done. The Fender Band-Master VM 2x12 speaker enclosure gives you onstage versatility and great Fender tone. There's also no doubt that this is not the orignal grille-cloth. QUESTION: what is the correct thickness for the original baffle board ?Ĭ. You can also clearly see that the baffle is a home-made affair - and it's thickness measures 11/16" (basically 3/4") plywood. You can see that the grille-cloth is mounted directly to the baffle. Custom Fender Licensed Blackface Bassman Style 2x12 Speaker Extension Guitar Amp Cabinet. That's fine with me, I have an extra raised and I certainly like having an extra flat now.ī. obviously, someone has mounted a flat logo in place of the raised logo. If you'll look at the following pics, there's some interesting stuff going on.Ī. I think you posted while I was composing, so I missed your reply. Having said this, there are a lot worse guitars out there, and as well as being historically important, the 1820 bass can certainly provide the goods when required.OK. Our products are manufactured from the best materials on the market using production techniques developed by us. Over the course of the 70s, the Japanese output improved dramatically, and in many ways these early 70s models are a low point for the brand. Custom made for your FENDER Bandmaster 2x12. These new Epiphones were based on existing Matsumoku guitars, sharing body shapes, and hardware, but the Epiphone line was somewhat upgraded, with inlaid logos and a 2x2 peghead configuration. The Matsumoku factory had been producing guitars for export for some time, but the 1820 bass (alongside a number of guitar models and the 5120 electric acoustic bass) were the first Epiphone models to be made there. The cabinet is solid pine with precision cut finger joints. By the end of the 1960s, a decision had been made to move Epiphone guitar production from the USA (at the Kalamazoo plant where Gibson guitars were made), to Matsumoto in Japan, creating a line of guitars and basses significantly less expensive than the USA-built models (actually less than half the price). A reproduction of the original Fender Blackface Bassman Style 2×12 Extension Cabinet.
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